FREE ESSAY ON BELOVED

BELOVED

Beloved
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April 19th, 1996 A critical analysis of
the main characters and plot from the novel Beloved (BY TONI
MORRISON). Frank Mancini irg@ix.netcom.com Beloved is a novel set in Ohio during 1873,
several years after
the Civil War. The book centers on characters who struggle fruitlessly to keep their
painful recollections of the past
at bay. The whole story revolves around issues of race, gender, family relationships and
the supernatural, covering
two generations and three decades up to the 19th century. Concentrating on events arising
from the Fugitive Slave
Act of 1856, it describes the horrendous consequences of an escape from slavery for
Sethe, her children and Paul
D.The narrative begins 18 years after Sethe's break for freedom, and it gradually
persuades the reader to accept
the haunting of 124 Bluestone Road by a 2 year old child, killed by her mother Sethe:
Full of baby's venom. The
women in the house knew it and so did the children...by 1873 Sethe and her daughter
Denver were its only victims
(Page 1). The novel is divided into three parts. Each part opens with statements as to
indicate the progress of the
haunting-from the poltergeist to the materialized spirit to the final freeing of both the
spirit and Sethe;Part I: 124
WAS SPITEFUL (Page 1); Part II:  124 WAS LOUD(Page 169); Part III: 124 WAS QUIET (Page
239).
These parts reflect the progressive reconciliation of a betrayed child and her desperate
mother. Overall symbolizing
the gradual acceptance of freedom and the enormous work and continuous struggle that
would persist for the next
100 years.The dynamics of the story attempt to distance the reader from an immediate and
direct exposure to the
extremes of the real horror contained in the narrative. The narrative jumps from one
setting to another, from the
past to the present. However, the complex chronology is necessary to understand the
psychological and emotional
state of all the participants in the story.Reading the story resembleslisteningto a
story.This peculiar oral style
surfaces;it feels as if the novel is speaking the emotions of each character out loudly,
allowing the reader to identify
with each one. Events that occurred prior and during the 18 years of Sethe's freedom are
slowly revealed and
pieced together throughout the novel. Ever so painfully, Sethe is in need of rebuilding
her identity and remembering
the past and her origins: Some things just stay. I used to think it was my rememory. You
know. Some things you
forget. Other things you never do. But it's not. Places,places,are still there. If a
house burns down it's gone,but the
place--the picture of it-stays, and not just in rememory, but out there in the world
(Page 35). The author moves
around the characters allowing each participant in the story a turn-Baby Suggs, Paul D,
Stamp Paid, Denver, Sethe
and Beloved--to convey their perceptions of events to the reader. Baby Suggs' horror at
her grandchild's murder is
passionately displayed:Baby Suggs had got the boys inside and was bathing their
heads,rubbing their hands,lifting
their lids, whispering, 'Beg your pardon, I beg your pardon,' the whole time (Page 152).
Within this horror, the
insensitivity of her landlord is shown when Baby Suggs is approached by her landlord's
kids regarding fixing some
shoes, not knowing and not caring to know they just give her the shoes: Baby Suggs ...
She took the shoes from
him...saying, 'I beg your pardon. Lord, I beg your pardon. I sure do (Page 153). Paul D's
memories of Sweet
Home are remembered to confront his and Sethe's past:Paul D smiled then,remembering the
bedding dress. Sethe
was thirteen when she came to Sweet Home and already iron-eyed (Page 10). These various
voices act as
witnesses to Sethe's experiences and showing how black women had no control over their
husbands, children or
own bodies. Racial issues are one of the main issues in Beloved. The story revolves
around the life of a former
slave and her attempts to get on with her life as best as she can considering what the
white slave owners have put
her through. The cruelties of the slaves by the slave owners in this story are probably
conservative compared to
what really occurred in many cases. This novel is about emotions and perceptions of
African-Americans and of the
burden of sorrow that they have inherited from being deprived of their homeland and
treated like animals. These
emotions are complex and very deep. The violation begins at the moment of capture, when
the native Africans were
forcefully taken and transported cross the Atlantic to the New World: She told Sethe that
her mother and Nan
were together from the sea.Both were taken up many times by the crew (Page 62). Sethe's
mother threw away
the children of the abusers, exercising the choice to kill as her daughter will do
herself later.One did it for hate and
the other one for love, but for both mother and daughter the choice to kill was the
ultimate act of protection: She
threw them all away but you...You she gave the name of the black man. She put her arms
around him. The others
she did not put her arms around. Never. Never (Page 62). The treatment of black women as
productive livestock
whose children were regarded as valuable economic units was a fact of slave life. The
lack of respect of such basic
human qualities is central to Sethe's attempt to kill her children and her success in
killing Beloved: Men and women
were moved around like checkers. Anybody Baby Suggs knew, let alone loved, who hadn't run
off or been hanged,
got rented out, loaned out, bought up, brought back, stored up, mortgaged, won, stolen or
seized. So Baby's eight
children had six fathers. What she called the nastiness of life was the shock she
received upon learning that nobody
stopped playing checkers just because the pieces included her children (Page 23). Baby
Suggs had adopted a
strategy for survival by which she allowed herself not to become attached to her babies
who would be sold from
her. In contrast Sethe's life under Garner at Sweet Home had been less harsh, since she
always had her children
around and by the time the change of ownership took place, her bond with her children was
complete. The escape
from slavery did nothing more than intensify this bond. For the first time she felt she
could love her children
unreservedly and had a vision of true freedom: Look like I loved em more after I got
here. Or maybe I couldn't
love 'em in Kentucky because they wasn't mine to love...A place where you could love
anything you choose--not to
need permission for desire--well now that was freedom(Page 162). Gender issues are also
dominant in the story.
Three of the four main characters are female, and it not only tells the story of an
ex-slave but of a woman's life.
Slavery is the cause ofSethe being in the situation she is.The bulk of the story deals
with the relationship between a
single mother (Sethe),her daughter(Denver)and a female stranger(Beloved). Sethe's
relationship to Paul D is a
source of contrast on the three women. Sethe and Paul D could symbolize the joint
potential of a people united no
longer held apart from slavery and a possible solution to heal everyone's pain. The
freedom to love one another. The
Afro-American spirituality reflected in the novel by Baby Suggs's character indicates the
responsibility
African-American women have in empowering and morally developing and sustaining the
community. Such
activities are showed by Baby Suggs who preaches in the clearing: A wide-open place cut
deep in the woods
nobody knew for what (Page 87). Here she urges the community to love themselves as proof
of their love of god
and delivers a very powerful monologue:  'Here', she said, 'in this here place, we flesh;
flesh that weeps, laughs;
flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love
your flesh. They despise it.
They do not love your eyes; they'd just as soon pick em out. No more do they love the
skin on your back. Yonder
they flat it. And O my people they do not love your hands. Those they only use, tie,
bind, chop off and leave empty.
Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them
together, stroke them
on your face, 'cause they don't love that either. You got to love it, you! And no, they
ain't in love with your
mouth...This is flesh that needs to be loved(Page 88). Baby Suggs clearly questions the
racial inferiority implied
by slavery and stresses a better life on earth, which must come from the community and a
re-evaluation of the
physical black self. To love one self and one another. This sermon of love challenges the
perversion of Christianity
which had been used to further exploit the blacks and justify slavery.Self-acceptance and
love are perhaps the most
important points of the novel. For people whose negative up bringing and indoctrination
has associated blackness
with every form of evil and ugliness, self-love is difficult to achieve. Appreciation of
one self and moral
reconstruction can be achieved only with a rejection of all that had destroyed black
identity in slavery. The author is
attempting to show the roots of this negativity in order to overcome it. The story
revolves around the scars and the
psychological state of African-Americans during and after slavery. Beloved materializes
when Seth's plantation past
re-emerges with a visit from a fellow ex-slave, Paul D. He offers her love and the
possibility of a new life. This
triggers Beloved incarnation who is extremely jealous to be recognized as the proof of
her mother's deed. The signs
indicating that the young woman was Seth's child materializing in flesh and blood were
many, such as her name
'Beloved' and her weak neck: Her neck, its circumference no wider than a parlor-service
saucer, kept bending and
her chin brushed the bit of lace edging her dress (Page 50). The sudden emergency Sethe
experienced as she
noticed Beloved, remind the reader of Sethe giving birth. Beloved's struggle to reclaim
connection with her mother,
could symbolize their struggle for freedom by reclaiming their past. In order to never
forget their enslaved history
and confrontation could be the catalyst to growth: She had an emergency that
unmanageable. She never made the
outhouse. Right in front of its door she had to lift her skirts, and the water she voided
was endless...No, more like
flooding the boat when Denver was born (Page 51). Denver had never left 124 Bluestone
Road and never
encountered white people until forced to seek help from her community where she
recognizes the danger that
Beloved poses to Sethe. She begins to grow by attending to her mother and Beloved as if
they were her children.
Later when in the house of Bodwin a pro anti-slavery activist she sees a small statue of
a black boy kneeling and
with his mouth wide open to be used as a money box: Painted across the pedestal he knelt
on were the words 'At
Yo Service'  (Page 255). Here she realizes that help from this man who owns this ornament
is helping to
perpetuate racism and that her emancipation is only possible with the help of the black
community. Although this
novel is full of symbolism and metaphors, the ghost of Sethe's dead baby could reflect
the author's beliefs in the
paranormal. Anyone who enters the house on Bluestone Road actually witnesses the presence
of this ghost which
may symbolize slavery's rememories that haunt Sethe and her people throughout the story.
All of the characters
try to repress their memories, which need to be faced and exorcised as you would a ghost.
The end of this novel
emphasizes the importance of the community and the individual's search for self which
characterizes the survival
struggle of Black Americans. Sethe is destroyed by her memories and her isolation with
the ghost of Beloved,
(representing the memories of slavery) until the community intervenes and saves her. The
black community and
their cohesiveness and harmony is an essential factor to further the healing of244 years
of slavery and another 133
years of political abuse. The author has successfully developed a novel which represents
the hopes, aspirations, and
historical memories of black America in 273 pages. Special attention has been placed on
black women, which
struggle under a double burden: that of racial prejudice and that of a male-centered
society.