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FREE ESSAY ON FREEDOM FROM RACIAL BARRIERS IN THE COLOR PURPLE

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Gender and Race in "The Color Purple" and "Alias Grace"
A look at the relationship between gender and race in "The Color Purple" and "Alias Grace." -- 2,000 words; MLA

Oppression in 'The Color Purple'
A look at representations of oppression in Alice Walker's novel "The Color Purple." -- 1,265 words; MLA

Family Violence in "The Color Purple"
An analysis of the family violence and dissociation in "The Color Purple" by Alice Walker. -- 1,000 words; MLA

Literary Technique in "The Color Purple"
A look at the literary technique used in the book "The Color Purple" by Alice Walker. -- 833 words; MLA

Characters in "The Color Purple"
Explores the depth of the characters, Nettie and Celie in Alice Walker's "The Color Purple". -- 650 words;

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FREEDOM FROM RACIAL BARRIERS IN THE COLOR PURPLE

Freedom from Racial Barriers in 'The Color Purple'
Rape, incest, sex, forced labor, and a little reefer on the side. These are all of the
components of a novel by Alice Walker. All of these views are illustrated proficiently in
Alice Walker's third novel, "The Color Purple." Each one of these aspects had a lasting
impression upon the ideals and notions of the time. Walker's writing's helped to break
the racial barrier that existed in some people's minds.
One way that the barrier was destroyed was through Walker's depiction of an imperfect
black person. If a white person wrote about a less than perfect black person than it was
considered racist. Now that a black person is writing about other blacks that are
foretaking in acts that are, in their eyes, immoral and corrupt, the subject is brought
into a new light. These actions are discussed out in the open, and the idea that all
people have their own flaws, is thought to be more fisable. Walker combines all of these
issues in her story in a deceptive way. 
They all are linked together by way of a semi-believable story line with one major
overlaying theme. Prescott sums it up nicely, Love redeems, meanness kills(p74). This is
illustrated in many ways in Walker's novel. One perfect example of this is Mr. _____. Mr.
_____, as he is called throughout the novel, was a wife beater, who, having been denied
Celie's sister, marries Celie to look after his children. He beats her and rapes her and
is just plain nasty to her. Finally, one day, after Celie discovers another mean thing
that Mr. ____ did to her, she leaves with her girlfriend to start a new life. Mr. _____
is left all alone. He starts to fall apart. He becomes afraid of the dark, and just gives
up on life. That was his meanness that started to destroy his life. Now, just as Mr. ____
is nearing death, his son Harpo, starts to take care of him. Mr.___ starts to love him
again. Now Mr.____'s life takes a toward revival. He becomes a new man. Once he starts to
love his life starts to look up again. His and his son's love redeemed him. 
The more I wonder, he say, the more I love.
And people start to love you back, I bet, I say.
They do, he say, surprise. Harpo seem to love me.
(Walker, pg. 290)
Walker's novel is very unique in regards to style. Her use of black idiom is very
effective and adds the extra fragment of actuality and authenticity to the story line.
Walker's use of language, especially Black idiom, is masterful and adds poignancy and
depth to the narrative. (Another characteristic of Walker is the inclusion of highly
controversial and unique circumstances in her novel. For example, many authors of the
time, black or white, would address the idea of either inter-racial or same-sex
relations. Walker was an active feminist and her voice and opinions show through in many
of her novels. The Color Purple includes many dynamic characters throughout.
Mr._____ is a good example of one such character. In the beginning of the novel he is a
mean, strange old man who only marries Celie because he needs somebody to look after his
kids. Mr.______ is really in love with her sister, but their father decides that her
sister Nettie is too young for marriage so he settles for Celie. This shows how unfeeling
Mr.____ is in the first portion of the novel. He beats his wife and overworks her and
rapes her and abuses her. He is an all around bad guy. First he put this thing up gainst
my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing
inside my *censored*. When that hurt, I cry. He start to choke me, saying you better shut
up and git used to it. (Walker, pg. 1,2) However, Mr.____ comes upon a big change in his
life when Celie finally leaves him. Mr.____ is left all by himself and forced to survive
and maintain himself on his own. Here is where he runs into some problems. Here is where
the big change takes place. Mr.____ changes his evil ways and begins to show some
compassion and love. The end of the novel depicts a markedly different Mr.____ then the
beginning of the novel portrays. In the end of the novel Mr.____ and Celie actually have
a civilized conversation and begin to see face to face. They become friends and often
visit each other's homes and chat on the porch while sewing. Mr.____ look at me real
thoughtful. He not such a bad looking man you know, when you come right down to it. And
now it do begin to look like he got a lot of feeling hind his face. (Walker, pg. 280)
Mr.____ is not the only character that changes during the course of this novel, Celie
also takes a drastic turn in her realm of thinking. 
Celie starts out in the beginning of the novel as the slave to her father. First allowing
herself to be raped and bearing his children and taking his abuse. Then on to the abuse
that her husband, Mr.____ shows towards her. Celie takes all of this treatment in stride,
this is the only life that she has known. She thinks that since she is only a woman this
is the way that she is supposed to be treated. Then, all of the sudden a certain event
causes her to dramatically change her course of thinking. This change is caused by the
influence of a character that is new to the book. This character gives Celie the love and
the respect that she always lacked. Celie was given the sense of being, a sense that she
was a real person. A person with feelings, with a heart and a soul. A person that could
love and be loved. This person gave her all of these feelings as well as a fresh new
start and a new outlook on life. For Walker, redemptive love requires female bonding.
(Prescott) This person became her lover. This person was Shug Avery.
Shug Avery was an old lover of Celie's husband, Mr.____. She had been brought back to
Mr.____'s house because she was sick and Celie was to look after her. Shug was also a
different person in the introduction of her character. She was a snobbish, high class
brat. The Stereotypical rich, spoiled woman. At first she treated Celie and Mr.____ as if
they were nothing but her hired help. Then she began to take a liking to Celie. At first
they talked and sewed together. Then there relationship moved to the next level. Shug is
the one who gave Celie her new outlook on life. She began to treat Celie as a real person
should be treated. She offered her love and warmth and gave her a reason to be. She
single handedly turned Celie's life around for the better. Shug knew of all of the
opportunities that existed out in the world, she had seen a lot of it because she was a
singer that toured around a lot. She told Celie of these prospects and began to start
Celie thinking of leaving Mr.____ in search of a better life. The final straw that led to
convincing Celie to leave was the horrifying act that Mr.____ had been withholding
letters to Celie from her sister Nettie.
Nettie was the luckier of the two sisters. She had met the people that had adopted
Celie's children, befriended them and traveled to Africa with them. Once there she lived
among the Olinka tribe. All the time that she was in Africa she wrote letters to Celie.
She never got any reply but she never gave up hope. Celie really admired Nettie, and she
was a powerful influence upon her life even though she wasn't present. How I'm gon keep
from killing him, I say. Don't kill, she say. Nettie becoming home before long. Don't
make her have to look at you like us look at Sofia. (Walker, pg.150) Nettie always had
the insight that Celie lacked. She knew right away that Mr.____ was abusing her. She even
wrote to Celie and told her You've got to fight and get away from Albert. He ain't no
good. (Walker, pg. 131) The two sisters longed for each other the entire time that they
were separated. When they finally were reunited they were so happy that neither of them
could say a word. They just stood there and hugged and hugged and emersed themselves in
the love that they felt for each other. 
In The Color Purple, there are three main characters who demonstrate meaningful traits of
women. Celie, the main character, is the most important of the three. She is influenced
by other characters in the novel and is inspired to let herself seek their virtues.
Celie's two friends, Shug and Sofia, are both strong women who teach Celie how to achieve
the happiness she desires.
Sofia is a woman with authority in her life. Her life has been a constant struggle and
can no longer endure conflict. She is strong physically and that gives her confidence in
herself. The only opinion of any value to her is her own. Sofia is very upset with Celie
when she tells Harpo to beat her and she reveals to Celie details of her painful past.
"All my life I had to fight. I had to fight my daddy. I had to fight my brothers. I had
to fight my cousins and my uncles. But I never thought I'd have to fight in my own house.
I loves Harpo. God knows I do. But I'll kill him dead before I let him beat me." (42).
Sofia can no longer tolerate this kind of abuse and she thought that when she married
Harpo she had finally escaped it.
Later Celie admits that she told Harpo to beat her because she is jealous of Sofia. Celie
is jealous because Sofia can fight back and she knows she can't. Sofia tells Celie how
she feels sorry for her because Celie reminds her of her mother and how she never could
stand up against her father. Just seeing Sofia in control gives Celie hope in getting
control in her own life. 
Sofia does not live up to the standards of being a wife because she has a voice in her
relationship with Harpo and most women allow their husbands to manipulate them. People
just accept how she lives because she has a strong opinion of herself and is ready to
argue it with anyone at anytime. One day, during a meal, Harpo warns Squeak not to laugh
because it was bad luck for a woman to laugh. Sofia laughs in his face saying, "I already
had my bad luck. I had enough to keep me laughing for the rest of my life." (208). Sofia
has no trouble expressing herself at the expense of others, especially men.
Shug is a woman who does whatever she wants whenever she wants. She is a free spirit but
she does have values and is a major contributor in the transformation of Celie. Shug
enjoys her life and tries to spread the happiness to those around her. She is aware of
her own physical beauty and uses it to control men. For women like Celie, it isn't that
easy. Celie's father tells Albert, "She ugly. She ain't smart either." (9). This is where
Celie develops her low self-esteem. Shug tries to make Celie realize that she is a
beautiful person by getting to know her and loving her.
Shug is an admirable woman because of her ability to love others. She tells Celie, "If
you was my wife, I'd cover you with kisses instead of licks and work hard for you too,"
and later says, "I love you, Miss Celie." (118). Here Celie realizes that she is a
lovable person and not the worthless woman she once thought she was.
Celie and Albert share their feelings about Shug and she tells him, "Hard not to love
Shug. She know how to love somebody back." (289). Through her admiration of Shug, Celie
learns how significant love is and how it can change a persons life. When Celie wants to
kill Albert, Shug stops her and Celie doesn't understand why Shug would want this cruel
animal to live. Later, Celie and Albert create a friendship and find common ground with
their love of Shug. This is where Celie realizes what Shug has been saying all along
about Albert having a human side. 
Celie is an innocent person who is misfortunate throughout her life until she sees hope
through her women friends. She learns to stand up for herself against Mr. ______ and
discover her own beauty. When Shug tells Mr.______ that Celie is leaving with them he
says he thought Celie was happy and wanted to know what was wrong now. Celie responds by
saying, "You a lowdown dog is what's wrong... You took my sister Nettie away from me and
she was the only person love me in the world... But Nettie and my children coming home
soon. And when she do, all us together gon whup your ass." (207). This was a breakthrough
for Celie, the first time she got her true feelings out to Albert. Celie knew she had
Shug there to back her up and expressed the feelings she had stored up in her mind for
years. 
Shug also teaches Celie how to forgive the men for all of the pain they have caused her.
Shug tells Celie about how one must forget all other issues they have and stop to notice
God's creations. Celie says, "Now that my eyes opening, I feels like a fool. Next to any
little scrub of bush in my yard, Mr.______'s evil sort of shrink... You have to get a man
off your eyeball before you can see anything a'tall." (204). Celie has been too caught up
in her troubles to see the beauty in life right before her. The burdens in her life seem
like nothing compared to the splendor of Gods creation.
Celie is a good example of how certain qualities of different people can form a strong
woman. Unlike Shug, Celie doesn't need men in her life and doesn't have to confront that
burden. Celie learns to be valorous and stick up for herself from both Sofia and Shug.
She always had the power to love and trust but Shug makes it stronger by telling Celie to
look past her hardships and notice the gifts that God has given her. By gaining this
knowledge Celie transforms into a whole new woman and she is finally happy with her life.
She has a high self-esteem and is surrounded by the people she loves.
Bibliography
Abbandonato, Linda. A View from 'Elsewhere:' Subversive Sexuality and the Rewriting of
the Heroine's Story in The Color Purple. PMLA, Oct. 1991 v106 n5 p1106 (10).
Bartelme, Elizabeth. Victory over Bitterness. Contemporary Literary Criticism. Ed. Jean
C. Steve. Detroit: Gale Research Company, 1984.
Bloxham, Laura J. Contemporary Fiction Writers of the South. Ed. James M. Flora and
Robert Bain. London: Greenwood Press, 1993.
Current Biographical Yearbook. (1984) Current Biographical Yearbook 1984: Walker, Alice.
New York: The H.W. Wilson Company. pg. 430 - 433.
Hite, Molly. The Other Side of the Story: Structures and Strategies of Contemporary
Feminist Narrative. Ithaca and London: Cornell UP, 1989.
Kranz, Rachel. The Biographical Dictionary of Black Americans. Facts on File, New York,
(1992). pg. 155-156 Library Journal. June 1, 1982.
Magill, Frank N. Critical Survey of Long Fiction. Anglewood Cliffs: Salem Press, 1983.
Prescott, Peter S. A long road to liberation. Contemporary Literary Criticism. Ed. Jean
C. Steve. Detroit: Gale Research Company, 1984.
Ross, Daniel W. Celie in the looking glass: the desire for selfhood in The Color Purple.
Modern Fiction Studies, Spring 1988 v34 nl p69 (16).
Walker, Alice. (1982). The Color Purple. California: Pocket Books
Watkins, Mel. Some letters went to God. Contemporary Literary Criticism. Detroit: Gale
Research Company, 1984.
Whitaker, Charles. Alice Walker: Color Purple author confronts her critics and talks
about her provocative new book (Interview). Ebony. May 1992. v47 n7 p86 (4).

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