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FREE ESSAY ON GULLIVER'S TRAVELS

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Misanthropy in Swift's "Gulliver's Travels"
This is a review of the novel "Gulliver's Travels." -- 985 words; MLA

The Power of Words in 'Gulliver's Travels'
A review of the power of a word in Jonathan Swift's work, 'Gulliver's Travels'. -- 4,617 words; MLA

"Gulliver's Travels"
A literary analysis of Jonathan Swift's "Gulliver Travels", including a comparison of the original and updated versions. -- 1,407 words; MLA

"Gulliver's Travels"
Examines Jonathan Swift's use of satire and irony in his classic, "Gulliver's Travels". -- 1,150 words;

Jonathan Swift's "Gulliver's Travels"
An essay discussing whether "Gulliver's Travels" should be considered a novel of character or a novel of incident. -- 2,481 words; MLA

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GULLIVER'S TRAVELS

In 1726, the Anglo-Irish satirist Jonathan Swift wrote Gulliver's Travels. 
Gulliver's Travels was originally intended as an attack on the hypocrisy of the
establishment, including the government, the courts, and the clergy, but it was so well
written that it immediately became a children's favorite. 
Swift wrote Gulliver's Travels at a time of political change and scientific invention,
and many of the events he describes in the book can easily be linked to contemporary
events in Europe. One of the reasons that the stories are deeply amusing is that, by
combining real issues with entirely fantastic situations and characters, they suggest
that the realities of 18th-century England were as fantastic as the situations in which
Gulliver finds himself.
Through basic analysis of history one learns that anybody who has made a substantial
difference in society was originally misunderstood and unappreciated. For example,
Galleleo Galilee was charged with heresy and imprisoned in his home for his ludicrous
theory of the earth revolving around the sun. Emily Dickinson was considered insane and
grossly unappreciated for her time. also, Edgar Alan Poe, discarded as an eccentric, was
painfully understated as a writer.
Society, in many cases, becomes so enthralled in being judgmental towards a person's work
that sometimes the truth of the situation is distorted. This is exactly the case for
Jonathan Swift. Because of his renowned satire, Gulliver's Travels, Swift was labeled as
a misanthrope. This, however, is far from the truth. Jonathan Swift was a satirist. A
satirist cannot be a misanthrope. Thus, deductive reasoning prevails; Jonathan Swift is a
not a misanthrope.
A satire is a piece of writing that exposes fault, may it be society or human nature,
exposes fault none the less. Next, the satire mocks the fault. Lastly, it suggests a
better way of doing something. a satirist, one who writes a satire, cannot be a
misanthrope. This statement is true because he is making an effort to improve the
condition of or relinquish the problem. A misanthrope, on the other hand, would make no
attempt to better any condition because he simply hates man. thus, by definition, a
satirist cannot be a misanthrope.
Swift's satirical masterpiece, Gulliver's Travels, appeared in 1726. Written in four
parts, it describes the travels of Lemuel Gulliver to Lilliput, a land inhabited by tiny
people whose size renders all their pompous activities absurd; to Brogdinnags, a land of
roaming giants who are amused when Gulliver tells them about the glories of England; to
Laput and its neighbor Lagado, populated by quack philosophers and scientists; and to the
land of Houhynhnms, where horses behave with reason and men, called Yahoos, act like
uncivilized beasts ("Gulliver's Travels").
This satire reveals many faults in society. first of all, Gulliver is symbolic of the
citizens of England: gullible, eager to please, and proud. Another satire is England's
government in part I which is symbolized by the Lilliputians and all their flaws. Also,
Swift takes another shot at England's government in Part III where the floating island
symbolizes how England never interact with people but instead deals out punishments and
laws without considering the people. Swift also satirizes the complacency of Europe; that
is, the idea that they are the greatest in the universe- the size of the Brogdinnags
mirrors this perfectly. Lastly, the sub-cultures chosen by Swift satirized society's way
of always being drawn towards the extremes such as the Epicuriansim and savagery of the
Yahoo's and the painful stoicism and refinement of the Houhynhnms.
Swift completes the satire with a suggestion of how society should be. The proverbial
utopia is propped up in part II as the Brogdinnags enter the story. The ideal picture of
this group is painted by the fact that they have no concept of war. "He asked what
business we had out of our own islands, unless upon the score of trade or treaty, or to
defend the coasts with our fleets. Above all, he was amazed to hear me talk of a
mercenary standing army in the midst of peace, and among a free people." (Swift, 146)
Along side this, the Brobdinnags were also presented as a pacifist nation. One can make
this assumption through the reaction of the king when he is informed about guns, tools of
destruction. "The king was struck with horror at the description of those terrible
engines, and the proposal I had made." (Swift, 150) Another noteworthy aspect of the
these people is the fact that their government isn't infested with corruption. "He could
not tell what I meant by the secrets of state, where an enemy or some trivial nation were
not in the case." (Swift, 151) Adjacent to this great virtue of their government, there
is also the fact that they have concise laws. Laws that are explained in terms that which
all citizens can understand and only be one interpretation. "No law of that country must
exceed in words the number of letters in their alphabet, which consists only in two and
twenty." (Swift, 151)
The audience, through a basic understanding of this piece, can accept the fact that
Gulliver's Travels is a satire. Swift, through exposing fault, mocking it and suggesting
an alternative, is a satirist. Restating the fact that a misanthrope cannot be a
satirist, Swift is not a misanthrope.

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