FREE ESSAY ON JAILED & STUCK

JAILED & STUCK

Jailed and Stuck 
The authors Kate Chopin of "Desiree's Baby" and Susan Glaspell of Trifles present a caste
system of the 19th century. They
both focus upon the theme of the inferiority of women with respect to marriage, gender,
and prospective positions in a caste
system of society. Actually, these two authors can be thought of as feminists of their
times. Surely, many readers thought that
these two authors were very liberal in their writing. Many of today's readers would be in
agreement of the women's plight
of past times. In each of the stories, the women characters are inferior to their husband
counterparts. In "Desiree's Baby,"
Desiree knows she must believe and follow her marriage vows of "honor, obey, and
respect." When Armand listens to
gossip and does not inquire further, he believes his wife is not a white woman. He shuns
both her and the baby. Desiree asks
him, "Shall I go, Armand? Do you want me to go" (Chopin 359). She finally leaves with the
child without any pleading or
begging for justice or explanation but out of consent. In addition, the characterization
of Armand points to his dominance
over his wife. This is seen when Desiree realizes "a strange, an awful change in her
husband's manner, which she dared not
ask him to explain" (358). During this time, women were forbidden to question their
husbands. In Trifles, Mrs. Peters is said
to be "the sheriff's wife" and "married to the law" (Glaspell 65). She is unimportant and
belonging to the sheriff more like
property that one owns. This tolerance of being dominated by her male husband is
emphasized by Mrs. Peters stating to Mrs.
Hale, "But Mrs. Hale, the law is the law" (61). Her husband makes the law for everyone
and for her. She does not question
him. Glaspell describes Minnie Foster, later known as Mrs. Wright, as happy when she was
young. She dressed nicely, she
sang in a choir, and she was out in society a great deal. Her husband, Mr. Wright, is
characterized as being like a hermit,
"saying folks talked too much anyway" when referring to buying a telephone (57). Once
Mrs.Wright married Mr. Wright, she
obeys him and ends up changing her whole lifestyle. The other husbands' wives notice her
change saying "she used to wear
pretty clothes and be lively, when she was Minnie Foster, one of the town girls singing
in the choir. But that-oh, that was
thirty years ago" (60). Because these women were thought of as the "wives," they were
told what to do, when to do it, and
how to do it by their husbands. The husbands, because of their gender, see themselves as
the authority figures. They do not
value any of the women's opinions, thoughts, or even intelligence too highly in these
stories because of the women's gender.
In "Desiree's Baby," the baby is determined to be black; one of the parents is black.
Armand sort of takes the initiative and
declares himself, who is of nobility and master of the plantation by gender not to be the
one tainted with the inferior
bloodline. This only leaves Desiree, who does not really know her background. However, it
does not matter. Desiree, being
female, assumes the guilt and gets no chance to explain, or to seek explanation. This is
significant because the one who
actually had the black heritage was Armand. In Trifles, the men criticize the women's
thoughts and opinions. The men even
make fun of the women. When the women are talking about the fruit, the sheriff says,
"Well, can you beat the women! Held
for murder and worryin' about her preserves" (58). Mr. Hale also says, "Well, women are
used to worrying over trifles,"
about the same situation. Neither man fully comes to understand the significance of the
women's opinions nor thinks that the
women could add anything to help solve the case at hand. The reader realizes that the
women, with their opinions and
thoughts, are the ones who actually figure out the how, who, and why of the murder.
Because of the women's gender, the men
in these patriarchal societies in each story do not fully realize the women's' values or
intelligence. When looking closer, one
can see that the wives in these marriages are also restricted to being homemakers and
mothers. The males agree that there
was not much more for their wives to do other than being a homemaker or a mother to their
children. In Trifles, the wives
talk about their lives and responsibilities. Mrs. Hale finishes the loaf of bread "in a
manner of returning to familiar things"
(59). Mrs. Peters says, "she (Mrs. Wright) wanted an apron," "to make her feel more
natural" (60). Mrs. Hale then
comments about "trying to get her own (Mrs. Wright's) house to turn against her" (61).
The wives comment on "piecing a
quilt" and "worrying about her bottles of fruit" (64). All of these comments suggest that
all the wives did was housework.
Even the County Attorney remarks on how Mrs. Wright was "not much of a housekeeper" and
how she did not "have the
homemaking instinct" (59). Later when Mrs. Peters leaves he "picks up the apron, and
laughs" (65). These remarks intensify
the feeling that the husbands thought of their wives as homemakers. In addition, the
reader gets the feeling that the wives had
no free time. Mrs. Hale says, "there's a great deal of work to be done on a farm" and
"farmers' wives have their hands full"
(59). Mrs. Peters remarks "you were awful busy, Mrs. Hale-your house and your children"
(62). Mrs. Hale mentions "I've
not seen much of her of late years" (59). One can conclude that the wives do all the work
around the house and raise the
children with not much spare time left over for them. This conveys to the husbands the
feeling that Minnie Foster could not
have had time to commit the murder. Yet, the women, who see all of the tasks half done,
feel that Mrs. Wright suddenly had
to do something right then in her busy day. In "Desiree's Baby," one sees that Armand,
the husband, is in charge of all the
work. Chopin writes that "Young Aubigny's rule was a strict one, too, and under it his
negroes had forgotten to be gay"
(Chopin 357). Living in a time of plantations and slaves, servants do the work around the
house. "One of La Blanche's little
quadroon boys stood fanning the child slowly with a fan of peacock feathers" (358).
Desiree is restricted to childbearing
and raising their child. Even Desiree's mother urges her, "to come back to your mother
who loves you. Come with your
child" (359). In this day, the wives did this and nothing more than was expected of them.
All of the above stated qualities
about marriage lead to one conclusion--the wives of this time were inferior to their
husband counterparts. Today, in a
marriage, the wife and the husband are closer to equal. Today, more women have
well-paying jobs that allow them to share
in the support of the family expenses. Today, the thoughts that women are inferior
because of their gender are all but gone.
Today, neither the woman nor the man exclusively does the work around the house. Today,
men and women are so much
more independent and self-sufficient that sometimes they do not marry or if they do, they
adjust their marriage vows
accordingly. Since so much has changed with the times, the types of marriages portrayed
in these stories are almost totally
gone. The only exceptions would be the ones in movies, which portray this earlier period.
The authors Kate Chopin and
Susan Glaspell speak out against the inferiority of women in these marriages. They each
lived close to the time of their
stories and therefore could get a great deal of input by looking at other marriages and
maybe their own. They both show that
the women were essentially belittled and not taken seriously. In the case of Desiree in
"Desiree's Baby," this is because of
her gender, marriage, and race. In the case of Mrs. Wright and the other wives in
Trifles, this is due to their gender, social
positions, and marriage. For the period that these authors lived in, the disparaging of
women was commonplace. The authors
should be commended for writing such liberating thoughts and ideas that would otherwise
never be thought of in that day and
time. Citations 
Glaspell, Susan. "Trifles." Literary Culture: Reading and Writing Literary Arguments.
Editor L. Bensel-Meyers.
Massachusetts: Simon & Schuster Custom Publishing, 1999. 56-65. 
Chopin, Kate. "Desiree's Baby." Literary Culture: Reading and Writing Literary Arguments.
Editor L. Bensel-Meyers.
Massachusetts: Simon & Schuster Custom Publishing, 1999. 356-360.